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Usurping Authors: A Case Study of Authority Displacement in Richard II


Metadata FieldValueLanguage
dc.contributor.advisorRelihan, Constance
dc.contributor.advisorGoldstein, Jamesen_US
dc.contributor.advisorDunlop, Alexanderen_US
dc.contributor.authorGodwin, Sarahen_US
dc.date.accessioned2008-09-09T21:18:01Z
dc.date.available2008-09-09T21:18:01Z
dc.date.issued2006-05-15en_US
dc.identifier.urihttp://hdl.handle.net/10415/447
dc.description.abstractWhen a text is published, the author loses authority and the authorial message can be easily displaced and replaced by various interpreters. Playwrights have the difficulty of adding directors, actors, and audiences who will interpret the play, as well as any editors or censors. The addition of these interpreters causes the playwright’s position of author to be usurped by other individuals who re-author the play. Shakespeare’s play The Life and Death of Richard the Second is an example of a text that has been subject to numerous replacing authors. The four most noteworthy performances are the original quarto publication of Richard II in 1597, Nahum Tate’s publication of 1681, Lewis Theobald’s production of 1719, and the Covent Garden production in 1738. Each of these publications displaces Shakespeare’s authority and, instead, submits an altered interpretation of his text.en_US
dc.language.isoen_USen_US
dc.subjectEnglishen_US
dc.titleUsurping Authors: A Case Study of Authority Displacement in Richard IIen_US
dc.typeThesisen_US
dc.embargo.lengthNO_RESTRICTIONen_US
dc.embargo.statusNOT_EMBARGOEDen_US

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