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And They’re Off: A Critical Examination of the Horse Racing Film Subgenre


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dc.contributor.advisorAndrea, Kelley
dc.contributor.authorMurdock, Kayleigh
dc.date.accessioned2018-04-23T20:41:29Z
dc.date.available2018-04-23T20:41:29Z
dc.date.issued2018-04-23
dc.identifier.urihttp://hdl.handle.net/10415/6134
dc.description.abstractHorse racing, the ‘Sport of Kings,’ has been a popular sport in American culture for centuries, and the sport has been depicted on film continuously since the medium’s emergence. Numerous feature films have focused on both fictional stories of racehorses and narratives that were “based on a true story.” The depictions of horses in these films have changed in dramatic ways since the genre’s advent in the late 19th and early 20th centuries; horses have gone from insignificant background characters to titular characters. However, there are ideologically concerning elements of the representations of racehorses on screen. Namely, these films tend to brush over the harsh realities of horse racing as it exists today, which has the impact to influence audiences’ understandings of the sport to the ultimate detriment of the horses involved.en_US
dc.rightsEMBARGO_NOT_AUBURNen_US
dc.subjectCommunication and Journalismen_US
dc.titleAnd They’re Off: A Critical Examination of the Horse Racing Film Subgenreen_US
dc.typeMaster's Thesisen_US
dc.embargo.lengthMONTHS_WITHHELD:6en_US
dc.embargo.statusEMBARGOEDen_US
dc.embargo.enddate2018-10-19en_US

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