Stylin' Black Power: Fashion, Dignity, and Masculinity
Metadata Field | Value | Language |
---|---|---|
dc.contributor.advisor | Carter, David | |
dc.contributor.author | Carter, Mickell | |
dc.date.accessioned | 2022-12-02T14:35:59Z | |
dc.date.available | 2022-12-02T14:35:59Z | |
dc.date.issued | 2022-12-02 | |
dc.identifier.uri | https://etd.auburn.edu//handle/10415/8492 | |
dc.description.abstract | This study examines Black men’s style during the shifting political terrain of the Black Power Movement in the1960s and 1970s. Through a stylistic analysis of images, film, musical albums, and advertisements, I question how modes of dress and adornment influenced Black Power and masculinity. In part, I argue Black men’s attire during the Black Power era became political symbols and material bodily expressions of resistance, Pan-Africanism, Black pride, and Black masculinity. Further, I demonstrate that Black men’s modes of dress during the movement shaped beauty culture worldwide and acted as a vehicle for protest against white supremacy and Eurocentricity. By combining gender and cultural analyses, I identify how ideologies during the Black Power Movement shaped Black masculine expression via hairstyles and fashion. In doing so, I offer new interpretations of mid-twentieth century Black masculinity in the context of the social movements of the sixties and seventies. | en_US |
dc.rights | EMBARGO_GLOBAL | en_US |
dc.subject | History | en_US |
dc.title | Stylin' Black Power: Fashion, Dignity, and Masculinity | en_US |
dc.type | Master's Thesis | en_US |
dc.embargo.length | MONTHS_WITHHELD:60 | en_US |
dc.embargo.status | EMBARGOED | en_US |
dc.embargo.enddate | 2027-12-02 | en_US |
dc.contributor.committee | Mount, Guy | |
dc.contributor.committee | Hebert, Keith |